Starting as a thesis project at Parsons in NYC, Evan Roth collaborated with four NYC based graffiti writers (HELL, AVONE, JESUS SAVES, and KATSU) to further understand the motion of graffiti. Eight years later, Roth is capturing that data and producing it in 3D printed, chrome-plated ABS bliss.
According to Roth:
Graffiti Analysis is an extensive ongoing study into the motion of graffiti. Custom software designed for graffiti writers creates visualizations of the often unseen motion involved in the creation of a tag. Motion data is recorded, analyzed and archived in a free and open database, 000000book.com, where writers can share analytical representations of their hand styles. Influential graffiti artist such as SEEN, TWIST, AMAZE, KETONE, JONONE, and KATSU have had their tags motion captured using the Graffiti Analysis software. All tags created in Graffiti Analysis are saved as Graffiti Markup Language (GML) files, a new digital standard used by other popular graffiti applications such as Laser Tag and EyeWriter. Graffiti Analysis 3.0 is an open source project that is available online for free in OSX, Windows and Linux. Graffiti writers are invited to capture and share their own tags, and computer programmers are invited to create new applications and visualizations of the resulting data. What Martha Cooper did for archiving graffiti on film, and Chalfant/Silver did for archiving graffiti in video, Graffiti Analysis intends to do for archiving graffiti in code. The project aims to build the worlds largest archive of graffiti motion, and bring together two seemingly disparate communities that share an interest hacking systems, whether found in code or in the city.
While the Graffiti Analysis project deserves its place in any forward-thinking sociology course, the most recent development involving 3D printing is nothing short of an incredible process towards capturing these motions in…three-dimensional form. By translating the data into a 3D printed model, Roth has essentially created not only a platform for displaying movements in graffiti, but also a potential platform for anybody wanting a sculpture of any motion, period.
via Evan Roth