There’s a man who does all of his design work from the French Hotel Cafe in Berkeley, California. His name is Kenneth Smythe. His designs are loaded with symbloism, very high-end, completely open-source and created for a random sequencing production system. If I wanted to describe his work in a way that would make you grit and pinch your elbow tips, I’d say his designs are ones that sift the threaded cells, skin, words and musical notes floating through the universe, isolating them into the strum of single chord that could be mixed, reproduced, combined, extrapolated and re-mixed with any other design vibrating along the same thread. You’ve seen his asymmetric permutations of titanium and richlite. However, most recently he has shared the third iteration of a design he began conceptualizing in 1983, TIME’S MOMENTUM.