Delicious Design Process: Steelcase Leap Chair Gets 3D, Fabbing and More

by Josh on February 3, 2009 · Comments

steelcase-leap

I didn’t get to try out the Embody Chair, but I’ve been living in a Steelcase Leap Chair for the past month. It’s been a… different experience I’ll tell you all about in an upcoming post.

In the meantime, feast your taste buds on this. I had the chance to also ask the design team at Steelcase about the design process behind the Leap chair. An ensuing mountain of information about all that went into creating this fabulously ergonomic bucket-for-yer-butt.

Check it out and tell me if it doesn’t leave you the least bit inspired.

steelcase-leap-01

What tools/programs (sketching, 3d CAD, simulation, rendering?) were used in the design process of the chair?
The Steelcase Design Studio and the design consultant that Steelcase with on the Leap Chair design used hand sketching, Graphite and Vectorworks 2D drawing programs, Rhino and ultimately ProE to develop ideas in virtual 3D, renderings are of some value and we use the capability embedded within Steelcase’s 3D programs for this purpose. Steelcase’s most valuable tool for testing and validating design concepts is physical modeling. To see a chair in full scale, in detail as a real three dimensional object, to walk around it and touch it… is the ultimate test. Chairs are physical, sculptural, functional objects.

How many iterations did the chair go through in engineering it?
In the development process it is likely that any chair will see dozens of full visual models, and roughly the same count of functional ‘works like’ models. Ultimately the iterations are impossible to count. By the time Steelcase is closing on final engineering drawings ready for tool release that it has made literally hundreds of subtle changes addressing and testing learnings made through development. FDM (Fused Deposition Modeling) prototypes were used extensively in engineering for functional evaluation. Urethane Casting was used for large functional parts. Almost every plastic part had a 1-cavity rapid prototype tool built that we ran out at the PRC to make our development parts. 6-axis laser trimming was used to trim the edges of prototype stamped parts

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What aspects of the project (concept, prototyping, rendering) revealed the vision behind the chair?
Functionally, Steelcase’s vision was to address ergonomic advantages for vision, reach and spinal performance. The story is most clear in printed media and the product satisfies user need for this very functional performance. Additionally, Steelcase aspired to render an object that communicates a sensual sophistication, a subtle athleticism, and technical merit speaking to the potential of the Leap Chair capability. Ultimately, the promise and the perception of the chair was tested in concept through physical modeling where Steelcase (design and engineering) could assess the strength of the ideas. Additionally, Steelcase used both physical and virtual tools to test ideas in formal market validation with customers and dealers.

Was any rapid prototyping used in the development of the chair?
SLA, 5 Axis routing/milling was used to construct physical models.

CAD users sit for hours in chairs. What is the greatest benefit for them by using this chair?
It’s a high performance task chair. It is capable of supporting users in a proven healthy manner (SEE CASE STUDY ATTACHED AND Leap Mini site on www.steelcase.com/Leap ) for extended periods of time while working at a computer. People are designed to move and the chair accommodates this while helping users maintain correct focal length with the display. As users recline to redistribute physical pressure through the back and the seat we’ve designed a solution to help them stay engaged with the keyboard. The mechanics of ‘Natural Glide’ are key to Leap and the ‘Live Back’ further encourage movement in the spine which is key to spinal health.

How did the chair design/engineering benefit from the 3D CAD and rapid prototyping (if used)?
The benefits of using 3D CAD and rapid prototyping were speed and accuracy. Steelcase was able to process decisions faster and with more confidence. Database’s could be tested with greater resolve and ultimately, when it came time to build final (and very expensive) tools, Steelcase was able to check data and release with total confidence that what we see is what we would get.
leap-design-process
Other Cool Facts About the Chair

  • The technology in the Leap extends through the company’s seating portfolio and has been integrated (in some way) in virtually every chair launched by Steelcase since Leap (e.g. Think, Amia, Move, Siento, cobi and i2i). It has also been licensed for use in automobiles and airplanes by those industries respectively. The Leap technology is currently being used by Cathay Pacific and Japan Airlines with other airlines close to announcing their plans to integrate as well.
  • Leap was four years in development; the company partnered with four universities, 27 different scientists and 11 studies including 732 participants
  • When under development, the Steelcase seating development team took a fresh look at biomechanics and the impact increased computer use was having on workers who could be tethered to their computers for up to nine years of their life.
  • LiveBack technology allows the upper and lower parts of the backrest to function independently.
  • Leap mimics the individual user’s unique spinal motion so the user is free to move, but never left unsupported, allowing the user to stay comfortable and productive.
  • Lower back controls allow the user to specify the preferred amount of lumbar support, creating a hugging sensation as the pressure is dialed up.
  • The Natural Glide System allows the seat to glide forward so users stay in the vision and reach zone even when reclined

leap-attributes

Wow, that’s a design process. Not that it’s any less than what most of us designers and engineers go through daily, but inspiring nonetheless.

(3 votes, average: 3.00 out of 5)
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Comments
  • Pete Carrasquillo
    That was a really informative write up. You asked some great questions, and it's great how thoroughly they answered them. This has gone into my archive. Not to mention the fact that it has given me a new appreciation for my Leap. I don't actually own the one I use, but that almost makes it like driving someone else's Ferrari. Mine was part of an ergonomics study here in North Carolina State's Industrial Design program. My studio shares space with the lab and they had more than a dozen chairs involved in the study, after which students were allowed to "sign one out." Something about this chair just made it stand out. None of the Humanscale, Herman Miller, or Levenger chairs felt anywhere near as good over the course of a 15 hour day.
  • Emily
    As the only woman voicing a comment here, I'll just say that the Leap does a great job of fitting a range of body types - especially the latest version. The chair was updated a few years ago, resulting in a less bulky profile. It fits me perfectly - at 5'5" - as easily as it does my dad, who's 6'3".
  • Thanks Emily, that's one aspect I haven't been able to capture. It's definitely less bulky and feels like it too. Even though it's got a solid weight to it, I was surprised when lifting it out of the box, at how manageable it was.
  • Yes, excellent writeup, Josh! How did you score the interview? Just cold calling or do you have "connections"?

    Love these type of posts. Keep 'em coming. :)
  • Thanks Bruce! Glad you love'em. I was actually contacted by the PR for steelcase. pretty cool, I'm glad they did.
  • BTW, I worked on some of the chair (ProE) along with some of my colleagues. Thomas Overtun ( design consultant ) of IDEO was the principle designer of the chair.

    Mark
  • Wow Mark, super cool. After I graduated, IDEO was one of the first places I really wanted to work at. I remember reading articles about their design process and how they were doing things differently.

    I think I'll be keeping this LEAP chair for a while as well :)
  • Josh,

    I've had one for about 5 years now - I've got the full-on leather version (dark grey) but I had to admit I got it for a steal (no pun intended) because I worked at IDEO (parent company is Steelcase). I think I paid $399.00. Sometimes I just like to work at home if for no other reason than I get to sit in my leap chair. A small, somewhat embarassing fact: When I moved from CA to MA in August of 2004, I partially disassemblied mine and packed it up in my Honda Civic along with all of my other worldly positions, but come hell or high water, my Leap was com'in with me.
    Mark
    SolidWorks
  • Nice job man.. Wasn't the Leap an IDEO project ? (http://www.ideo.com/work/item/leap/) - and don't Steelcase own a percentage of IDEO.. strange how all these companies interact man..
  • Indeed, one tangled web of design and marketing! ha! and I'm sucked up in the middle of it, completely impressed at the process!
  • I had no idea how much work went into making a chair. Now I see why the Herman Miller's chairs cost so much. Overall, a really intriguing interview to see how its made.
  • Thanks Rod, it's amazing to me the years that it takes. I mean, I'm doing aircraft interiors in 3 months and these chairs take years? impressive amount of research and testing. excellent design process examples.
  • Don
    Excellent post Josh! Huge kudos to Steelcase for sharing photos of their prototypes and to you for recognizing the importance of including them in your post. I am ecstatic to see a major manufacturer pointing out the obvious - that prototyping in 3D, in the real world is IMPORTANT. There is too much emphasis on substituting tube time for reality and the crappy products we live with are showing the results. Thanks for showing how it should be done.
  • Juan
    ... I want one!
    I hope you score some for all of us :)
  • I'm working on it :)
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